Showing posts with label R.E.M.. Show all posts
Showing posts with label R.E.M.. Show all posts

Wednesday, March 28, 2007

The Best of R.E.M.


For long time readers to the 9th Green know I love making mix tapes. A subset to this is my Best Of series. I routinely make my own because inevitably they leave off some of my favorite songs on Greatest Hits packages (the worst offender being I’m on Fire being left off of Bruce Springsteen’s). A couple years back I made one for recent Rock and Roll Hall of Fame inductee R.E.M. and here is the track list to the CD. This CD comes in at 76:56.


1. Fall on Me - Life’s Rich Pageant (1986)
2. The One I Love - Document (1987)
3. It’s the End of the World as We Know It (And I Feel Fine) - Document (1987)
4. Stand - Green (1988)
5. Pop Song 89 - Green (1988)
6. Orange Crush - Green (1988)
7. Losing My Religion - Out of Time (1991)
8. Radio Song (with KRS-One) - Out of Time (1991)
9. Man on the Moon - Automatic for the People (1992)
10. Drive - Automatic for the People (1992)
11. Find the River - Automatic for the People (1992)
12. Everybody Hurts - Automatic for the People (1992)
13. Nightswimming - Automatic for the People (1992)
14. Strange Currencies - Monster (1994)
15. You - Monster (1994)
16. What’s the Frequency, Kenneth? - Monster (1994)
17. At My Most Beautiful - Up (1998)
18. Bad Day - In Time: The Best of R.E.M. (2003)
19. The Outsiders (with Q-Tip) - Around the Sun (2004)


If one of your favorite songs of the band is missing feel free to comment on what you would add and or subtract. But be warned, if you suggest Shiny Happy People, you run the risk of being publicly mocked.

Tuesday, March 13, 2007

We on Award Tour: 2007 Rock & Roll Hall of Fame Induction Ceremony


Yesterday when I was talking about all the great events that happen in the middle of March I left out one very important even, the Rock and Roll Hall of Fame Induction Ceremony. You may not agree with some of the inductees, but undeniably you will get some unforgettable, sometimes surreal, performances and this year was no exception. Well the biggest exception is that for the first time ever you could watch the ceremony live on either VH1 Classic, which re-airs the whole thing in its entirety this Friday at 8:00 or stream over at AOL.com where you can currently stream the event on demand. For those that don’t have the time to devote the four hours to the show can watch the usual VH1 butchered show this Saturday at 9:00, because who doesn’t want to spend St. Patrick’s Day in front of the television. Now onto my thoughts:

- Of course the show is emanating from New York City instead of the actual Hall, here in Northeast Ohio. Not that I’m bitter or anything.

- The show starts off with Jann Winner of Rolling Stone talking about one of the co-founders of the Hall who passed and get a proper tribute of the guy from two time inductee Stephen Stills as well as a performance by Aretha Franklin for some reason. We also get your token In Memoriam package which obviously goes beyond just those inducted as they included the dude from Molly Hatchet. But why was a roadie for the Grateful Dead included?

- The first inductees were The Ronettes. A little before my time as I mainly associate them for contributing a song to the Dirty Dancing Soundtrack and one of them did a song with Eddie Money, who got a shout out. One person that didn’t get a shout out was their producer Phil Spector who they went out of their way to not mention. Making that even odder was after they performed Paul Shaffer read a note from Spector, who is rumored to be the reason the group hadn’t been inducted yet, congratulating them. Only at the Rock and Roll Hall of Fame. Well maybe until Big Head Barry gets inducted into the Baseball Hall of Fame.

- One thing we don’t get to see is on the edited telecasts is the intermissions in between induction. The first is a montage of memorable moments from past induction, the best part are the estranged moments of band members that probably haven’t spoke to each other since they broke up. Other intermissions are filled with individual performances which one being one of my personal favorite from 2004 with the all-star jam for While My Guitar Gently Weeps featuring a rancorous solo by Prince who ended it with throwing his guitar behind him then just walks off stage. Can we induct Prince every year? C’mon, you can at least put him in with The Revolution and The New Power Generation.

- Holy Zach del la Rocha sighting! Dude been in an Axl Rose type hibernation since breaking up Rage Against the Machine. And it looks like during the interim he has been growing one silly afro. He’s there to induct Patti Smith, another artist I never really got into. The only Smith story I have was I once gave a presentation on racism in popular culture and played her song Rock and Roll (Expletive Deleted) during it. And wouldn’t you know she played that very song saying it was her mom’s favorite song to vacuum to. If only there were a camera on the Rev. Al Sharpton when the chorus kicked in as I would have liked to see his reaction.

- Speaking of Sharpton he was there to once again to eulogized inaugural Hall of Fame inductee, James Brown. Luckily a Christina Aguilera tribute didn’t follow. I would have liked an actual musician to have done thins instead of Sharpton milking his friendship of Brown yet again. But anyways.

Van Hagar in the house- The moment that everyone has been waiting for of course failed to live up to the hype. I’m speaking of the Van Halen induction that didn’t actually feature either of the band’s namesakes and more surprisingly absent was David Lee Roth who is never one to turn down a public appearance. According to Scott Weiland, whose Velvet Revolver inducted the band as well as handled the performance, invited Roth to sing one of their earlier songs, but balked when the band wouldn’t agree to perform Jump because of that whole, they don’t have a keyboard player thing. Almost as surprising is they actually let Sammy Hagar perform backed by booted bassist Michael Anthony, who actually gave a shout out to Gary Cherone during his acceptance speech, and Paul Shaffer and the CBS Hall of Fame Orchestra. Nice to have the two members currently not in the band are the only ones to actually show up.

- Jay-Z is up next to induct Grandmaster Flash and the Furious Five. Oddly for a guy who is highly touted for never writing down his lyrics, Jay never looked up while reading his speech, from his Blackberry. I like how Mele Mel called out the younger generation during his speech, although it will undoubtedly fall on deaf ears as the new generation can’t hear anything with their massive diamond earrings in their ears. Great performance too adding some theater to the program but I wish they would have spent longer on each song instead of jumping around.

R.E.M.- Last in this year are R.E.M. who get the induction treatment from Eddie Vedder who correctly calls out Mike Mills for hid Elvis type suits in the mid-nineties. I’m sure many of the longtime readers may wonder what my favorite song of all-time in, and you are likely to get a different answer at different times you ask, but one song that comes up quite frequently is the band’s Nightswimming. R.E.M. is also one of the few bands that I’ve created a personal Best of CD for my collection, which I will certainly share the track with everyone one of these days. I was a little disappointed with the band’s song selection as I would have like them to focus on their nineties work aside from Vedder joining them for Man on the Moon.

Eddie Vedder and Keith Richards- The show ends with a couple of collaborations with Smith joining R.E.M. for I Wanna Be Your Dog, a jab at the Hall for not letting The Stooges in yet. That was followed by most of the inductees and inductor (Grandmaster Flash and the Furious 5 were conspicuously absent although one of the guys who was in their performance was bouncing around) closing the show with Smith’s People Have the Power.

- Tune in late this year to see if acts like Beatie Boys, Metallica, Sting, Madonna, or Janet Jackson can get in with their first year of eligibility or if multiple finalist like The Stooges or the Dave Clark Five finally get in.

Tuesday, May 31, 2005

3 1/2 Minutes, Felt Like a Lifetime


Before the Robots - Better Than Ezra

One of the very few bands that I own all their albums (of artist that have released three or more) with new material is Better Than Ezra. All their pervious albums still get heavy rotation in my CD player and on my iPod. Today marks the release of their fifth studio album, Before the Robots.

The album starts off with three sing-alongs that BTE is best known for, Burned, Daylight, and A Lifetime. A Lifetime is actually a holdover from their 2001 album, the sadly overlooked Closer. The version on BTR speeds things up a little, and rocks a little more than the original. It also includes the line that has bugged me for a while, "And that R.E.M. song was playing in my mind. Three and half minutes, felt like a lifetime." Looking through my somewhat extensive
R.E.M. library, found that Let Me In off of Monster clocks in at 3:28 and At My Most Beautiful off of Up finishes at the 3:35 mark. Monty Got a Raw Deal, The One I Love, and Find the River are all close also and might fit the song. (Keep in mind that A Lifetime ends at 3:26.)

Another BTE trademark is that they take some chances and that is found in Its Only Natural, Special, and Juicy. Juicy is the best, a danceable song that is accompanied by a falsetto voice and a driving bass line that make you realize what a modern Bee-Gee's song might sound like is they listen to
Devo or Violent Femmes.

American Dream is the best written song on the album telling the story of a few people that haven't achieved the American Dream yet. In this Red State/Blue State time, the lines, "I'm a little bit rebel, I'm a bit patriot. I can see both sides of the coin" probably describes most of America while our government is littered with fanatics on both side of the fence. A Southern Thang lives up to the bill as a southern rock song being that the band is from New Orleans. The song also takes a little of the melody of the David Essex classic, Rock On, during the chorus. They even namedrop the King of Delta Blues himself,
Robert Johnson in the song.

Song to Download - Daylight

Before the Robots gets a Terror Alert Level: High [ORANGE] on my Terror Alert Scale.